
ABQ Museum’s exhibition Abstracting Nature has been in the works for a couple of years now, with Josie Lopez curating. The included artists are myself, Agnes Martin, Karen Yank, Judy Tuwalestiwa, Yoshiko Shimano, Joan Weissman, Joanna Keane Lopez, Emmi Whitehorse & Lydia Madrid.

Abstracting Nature foregrounds the works of ten local artists, past and contemporary, whose individual bodies of work share a kindred and enduring relationship with the New Mexico landscape. Each of these artists has nurtured a unique and long-standing relationship with a specific material, and has deeply explored how that material informs their interactions with the natural world.
My included works are a representative exploration of a myriad of landscapes both physical and internal through reductive abstraction and elemental meditation. My blue Breathless paintings and Air photographs on metal panels (above) present water and air as mediums of calm. The Vacuities prints and Infernos sculptures (below) inspired by my time in Iceland, utilize stark contrast, deep blacks and primordial forms to present time as a landscape in itself. 
On Saturday September 27th I will be part of the ABQ Museum’s public panel talk as a bookend for the exhibition. The closing conversation, moderated by Asst. Curator William T. Gassaway, will include artists Emmi Whitehorse, Yoshiko Shimano and myself. We will discuss how our art uses abstraction to share deep stories and personal connections with the environment. Please join us. Details below:
Abstracting Nature
ABQ Museum 2000 Mountain Rd NW, Albuquerque, NM
Closing Panel: Saturday. Sept 27, 2 pm: A conversation with Emmi Whitehorse, Yoshiko Shimano , and Marietta Leis, moderated by William T. Gassaway, Asst. Curator of Art

I’m also thrilled to share that my gallery representation in California: SCAPE: Southern California Art Projects + Exhibitions, will be opening an exhibition of my work, WATER + LIGHT. The solo show will highlight a diverse group of my works that explore how reflection, shadow flow, and form have inspired and shaped my practice. Some of my earlier included works like Crosscurrents (woodblock prints, above) and Fluidic Focus (watercolors, below) present my time making work at the water’s edge from Greece and the Azores.

Many of my more recent works like Striving 2, a sculptural painting of polished graphite on folded Tyvek, (below), and my Eclipse series of paintings utilizing black Flashe and copper leaf (below) are mixed media experiments in light, shadow and reflectivity.
My studio assistant Stefan Jennings Batista and SCAPE director Jeannie Denholm have curated the exhibition which opens Saturday September 20th at SCAPE in the Corona Del Mar area of Newport Beach CA.





Also I’ve have finally gotten to the first stages of painting the round shape of our earth’s colors on wooden formats. They will also be painted on the concave side.





The tragedy there is far from over—we can’t forget.




As you well know time passes quickly, especially quickly it seems for timelines of crating and shipping work. I made plane and hotel reservations to be in Rockport for the exhibit’s April 11th opening reception and gallery talk and also the Home Tour. I arrived at the gallery the day before the opening and was so thrilled to see John’s vision unfold before me so exquisitely.


Our hotel room faced the Gulf bay with its broad vista. The weather was refreshing for dry-landers like me as clouds, rain and storms prevailed. It created a perfect backdrop for some of my paintings that are inspired by the sometimes chaotic weather systems of sea and sky.


had opportunities to speak one-on-one to the people in the audience.




